Putian · Hangzhou · Shanghai
陈彧君
Born in 1976 in Putian, Fujian, on a coast where leaving is ordinary. One branch of the family emigrated to Southeast Asia in the nineteenth century, so there are cousins in Malaysia, Indonesia, and the Philippines. Those places, he has said, are as foreign to him as to anyone else: a field of secret experience, not a map for tourists.
He studied comprehensive art at the China Academy of Art in Hangzhou: a B.A. in 1999, an M.F.A. in 2007. Arario’s Chinese biography also records teaching there, in comprehensive art and oil painting, from 1999 to 2014. Recent biographies place the life and the work in Shanghai. Earlier notes still say Hangzhou. Both cities belong to the route. In/Space follows Shanghai.
The work uses the feeling between a person and a hometown to think about family, identity, and rooms, especially where leaving is generational. Temporary buildings, mismatched wooden houses, banquet tables, Asia drawn until the border dissolves, the Mulan River which forgets, the house which does not. After 2020 the painting comes forward: L’Étranger, A Midsummer Dream, Time Forest, Growth.
Chen Yufan, his brother, shares some of the early rooms, including White in Hong Kong in 2016 and the Mulan River project. The practice is one person. The family is not.


